Theatre

Thumbnail for Theatre review: The Lark

Theatre review: The Lark

Thumbnail for Beetlejuice heads to early grave in latest musical cancellation

Beetlejuice heads to early grave in latest musical cancellation

Thumbnail for Cabaret Festival review: House Of Rot – Grey Gardens

Cabaret Festival review: House Of Rot – Grey Gardens

Thumbnail for Theatre review: Branch Nebula – Exposure

Theatre review: Branch Nebula – Exposure

Thumbnail for Cabaret Festival review: Baylie Carson is Handsome(ish)

Cabaret Festival review: Baylie Carson is Handsome(ish)

Thumbnail for Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Thumbnail for Cabaret Festival review: Natalie Gamsu, Em Rusciano and Gillian Cosgriff

Cabaret Festival review: Natalie Gamsu, Em Rusciano and Gillian Cosgriff

Thumbnail for Cabaret Festival review: 2026 Variety Gala

Cabaret Festival review: 2026 Variety Gala

Thumbnail for ‘A love letter to becoming’: West End star Baylie Carson’s Cabaret Festival homecoming

‘A love letter to becoming’: West End star Baylie Carson’s Cabaret Festival homecoming

Thumbnail for Musical review: Pretty Woman

Musical review: Pretty Woman

Thumbnail for Theatre review: Till the Stars Come Down

Theatre review: Till the Stars Come Down

Thumbnail for ‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

Thumbnail for What’s My Scene: Maybelline Celles Spinley San Juan is an arts industry ‘Hannah Montana’

What’s My Scene: Maybelline Celles Spinley San Juan is an arts industry ‘Hannah Montana’

Thumbnail for Gods, grief and glory

Gods, grief and glory

Thumbnail for ‘It all comes from love’: Young star finds the joy in Oscar Wilde’s ‘epically progressive’ classic

‘It all comes from love’: Young star finds the joy in Oscar Wilde’s ‘epically progressive’ classic

Thumbnail for Theatre review: The Importance of Being Earnest

Theatre review: The Importance of Being Earnest

Thumbnail for Dreams unwind with the ultimate Fleetwood Mac tribute show

Dreams unwind with the ultimate Fleetwood Mac tribute show

Thumbnail for Theatre review: The Housewarming

Theatre review: The Housewarming

Thumbnail for ‘Sad experiment’: West Australian Ballet’s larger-than-life Dracula with an empty pit

‘Sad experiment’: West Australian Ballet’s larger-than-life Dracula with an empty pit

Thumbnail for ‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

Thumbnail for Theatre review: RBG: Of Many, One

Theatre review: RBG: Of Many, One

Thumbnail for ‘I can hear people weeping’: Heather Mitchell rises to the role of Ruth Bader Ginsberg

‘I can hear people weeping’: Heather Mitchell rises to the role of Ruth Bader Ginsberg

Thumbnail for Crowd pleaser MJ The Musical moonwalks into standing ovations

Crowd pleaser MJ The Musical moonwalks into standing ovations

Thumbnail for ‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

Thumbnail for Fringe review: Tash York is Drop Red Gorgeous

Fringe review: Tash York is Drop Red Gorgeous

Thumbnail for Fringe review: Bob Marley – How Reggae Changed the World

Fringe review: Bob Marley – How Reggae Changed the World

Thumbnail for Fringe review: Forgotten Tributary

Fringe review: Forgotten Tributary

Thumbnail for Fringe review: The Perfect Life (A Musical by Amity Dry)

Fringe review: The Perfect Life (A Musical by Amity Dry)

Thumbnail for Fringe review: Homer’s Odyssey – A Mini Musical

Fringe review: Homer’s Odyssey – A Mini Musical

Thumbnail for Fringe review: Laser Kiwi – Everybody Knows

Fringe review: Laser Kiwi – Everybody Knows

Thumbnail for Theatre review: Cluedo

Theatre review: Cluedo

Thumbnail for ‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

Thumbnail for Theatre review: Trophy Boys

Theatre review: Trophy Boys

Thumbnail for Fringe review: Upside Down Fantasyland

Fringe review: Upside Down Fantasyland

Thumbnail for Fringe review: The Damage is Done

Fringe review: The Damage is Done

Thumbnail for Fringe review: Crepuscular

Fringe review: Crepuscular

Thumbnail for Fringe review: Don’t Get Carried Away

Fringe review: Don’t Get Carried Away

Thumbnail for Fringe review: Dom Chambers – Magic Hunt

Fringe review: Dom Chambers – Magic Hunt

Thumbnail for Fringe review: Piip and Tuut at Concert

Fringe review: Piip and Tuut at Concert

Thumbnail for Fringe review: Mass Hysteria

Fringe review: Mass Hysteria

Thumbnail for Fringe review: Little Boxes

Fringe review: Little Boxes

Thumbnail for ‘You can hold the silences’: Wright & Grainger celebrate a decade of myth, music and storytelling

‘You can hold the silences’: Wright & Grainger celebrate a decade of myth, music and storytelling

Thumbnail for Fringe review: Karen Houge – Dreamgirl

Fringe review: Karen Houge – Dreamgirl

Thumbnail for Fringe review: SMOKO

Fringe review: SMOKO

Thumbnail for Fringe review: The Last Audition

Fringe review: The Last Audition

Thumbnail for Fringe review: Villains – A Dizney in Drag Parody

Fringe review: Villains – A Dizney in Drag Parody

Thumbnail for Fringe review: Adorable Man – Tu Strange

Fringe review: Adorable Man – Tu Strange

Thumbnail for Adelaide Festival review: Gatz

Adelaide Festival review: Gatz