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Windmill Theatre Company
Dance
‘Audiences will take fewer risks’: Adelaide arts leaders brace for a challenging 2025
Theatre review: Moss Piglet
Theatre review: Hope is at the heart of Creation Creation
Green Room: A new AD for Brink and a farewell at ACE
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Green Room: Fellowship callout, Fringe grants, storytellers sought
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Green Room: Short and sharp
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Adelaide Festival review: Hans & Gret
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The wild ride will continue as Windmill enters a new era
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Changing of the guard at SA youth arts organisations
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Green Room: Fairytales, films and an arty party
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Green Room: From stage to screen, SALA winners
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Green Room: A digital ‘camp’ ground & an outback residency
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Theatre review: Rella
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Designer Meg Wilson is a maker of new worlds
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Green Room: Rock ‘n’ roll city, drone art, hothouse residents
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Green Room: Call for arts reset, salon of the rejected
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Sasha Zahra comes full circle at Windmill
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Green Room: Festival for the curious, art with heart
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Green Room: Painting Gulpilil, Surrealists at Sea, film winners
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Theatre review: Hiccup!
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Sun Runners: A sci-fi epic in your own home
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Windmill to hit the road with a lively line-up of shows in 2021
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Review: Windmill Theatre’s Grug
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ASO launches ‘virtual concert hall’
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High tension: Arts supremos confront Festival Centre “monopoly”
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Windmill revives the wonderfully wacky Girl Asleep
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Windmill Theatre on the road again with Baba Yaga
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Festival review: Baba Yaga
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Theatre review: Amphibian
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Review: Windmill Theatre’s Beep
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SA vies for multiple 2017 Helpmann Awards
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Theatre review: Rumpelstiltskin
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