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Opera
Music
Opera set in an airport terminal to land in Adelaide in 2025
Opera review: Così fan tutte
A blazing spectacle: 20 years on, the Adelaide Ring remains unforgettable
Adelaide Festival review: The Nightingale and Other Fables
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Opera review: The Marriage of Figaro
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New State Opera artistic director’s international ambitions
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Macbeth: An operatic rollercoaster ride fuelled by bloodthirsty ambition
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Macbeth: An operatic rollercoaster ride fuelled by bloodthirsty ambition
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What’s wrong with elite Australian opera?
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Adelaide Festival announces 2024 opera centrepiece
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G&S Fest review: HMS Pinafore
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The making of music theatre masters
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Opera review: La Traviata
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Kathy Lette on sex, marriage, housework and opera
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Opera review: The Turn of the Screw
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Gothic thriller: A visceral experience built on lingering doubt
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Opera review: Bohème on the Beach
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La Traviata is coming to Her Majesty’s Theatre
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Adelaide Festival review: The Golden Cockerel
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Opera review: The Barber of Seville
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State Opera brings La Bohème to the beach
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Barrie is back for the 2022 Adelaide Festival with a fairytale Russian opera
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Opera review: The Tell-Tale Heart
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Opera review: Sweeney Todd
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Love, death and pies: Ben Mingay on the demon barber
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Festival review: A Midsummer Night’s Dream
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Adelaide Festival announces Dream opera for 2021
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Adelaide Festival review: Breaking the Waves
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Adelaide Festival review: Requiem
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Opera review: The Mikado
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SA hits a high note with 25 Helpmann nominations
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Carmen: ‘It’s a chance for us to say, opera is for everyone’
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Review: The Merry Widow
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Resurrecting the ‘lost operas of Oz’
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‘Tour de force’ Magic Flute heads to 2019 Adelaide Festival
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Festival review: Hamlet
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Review: State Opera’s La Vida Breve & Gianni Schicchi
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Adelaide Festival to host Australian premiere of Hamlet opera
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World’s first ‘virtual opera’ coming to Adelaide
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Power and passion aplenty in State Opera tragedies
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Review: Barrie Kosky’s Saul
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Saul already a sell-out success for Adelaide Festival
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Barrie Kosky’s Saul to headline 2017 Adelaide Festival
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Review: State Opera’s Cloudstreet
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