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Archive
96,000 flock to 2018 WOMADelaide
Fringe review: Sam Simmons
Festival review: Compassion – Lior
Festival review: Lee Fields and The Expressions
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Fringe review: Matt Okine
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Festival review: Kings of War
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Festival review: FLA.CO.MEN
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Festival review: Can You Hear Colour?
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Ian Scobie’s must-see shows at 2018 WOMADelaide
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Festival review: Us / Them
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Festival review: The Great War
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Fringe review: Anya Anastasia – The Executioners
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New director announced for Adelaide Writers’ Week
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Fringe review: Ross Noble – El Hablador
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Festival review: Anne Sofie von Otter
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Fringe review: Tom Gleeson
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Exhibition explores the diversity of Muslim Australian identities
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Poem: Reflections
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WOMAD to welcome ‘middle-aged ratbags from Mullum’
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Fringe review: Djuki Mala
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Fringe review: Comfort Food Cabaret
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What’s on: Design workshops, First Fridays, Austen on rollerskates
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Festival review: 21 – Memories of Growing Up
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Festival review: The Lost and Found Orchestra
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Festival review: Memorial
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Festival review: The Far Side of the Moon
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Festival review: Hamlet
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Fringe review: Have You Tried Yoga
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Fringe review: Wil Anderson
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Adelaide Biennial artists explore myriad worlds
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2018 Adelaide Writers’ Week picks
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Fringe review: Mengele
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Fringe review: I Am Basketball Man
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Grace Jones, we’re all slaves to your rhythm
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Fringe review: Kitty Flanagan – Smashing
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Fringe review: Fleabag
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Fringe review: Elixir
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Fringe review: Romanticide
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Fringe review: Shell Shock
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2018 Adelaide Festival ticket sales surge
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Festival review: In the Club
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Fringe review: Cirque Africa 2.0
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Black silk and nerves: My first foray into the thespian world
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Poems: lime green paddocks and river red gums
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Havana Meets Kingston brings Caribbean vibes to Botanic Park
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What happened when you were 21?
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Fringe review: A Simple Space
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Freeze: this rock show is a fine balancing act
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