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Australian Dance Theatre
Dance
‘Audiences will take fewer risks’: Adelaide arts leaders brace for a challenging 2025
Green Room: Art fair, Raw talent, picture the Park Lands
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Green Room: ‘The longer you look the more Moore you see’
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Green Room: Rueful Ben, Blak Futures, The Art of Dying
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Adelaide Festival review: Marrow
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Smoke and Marrow: Daniel Riley looks to the future
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Green Room: Collectors’ pieces, space to experiment
Archive
Dance review: ADT’s Cultivate: One
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Green Room: Tracker returns, Fringe funds, picnic party
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Adelaide Festival review: Tracker
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Dance review: Australian Dance Theatre’s SAVAGE
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Dance review: Outside Within
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ADT’s season launch marks the start of a new era
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Review: Australian Dance Theatre’s ‘G’
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Green Room: A fitting finale, making Light work
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Dance review: ADT’s Objekt
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Green Room: Dance + film, art prizes, writers’ festivals
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Australian Dance Theatre appoints new artistic director
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Dance review: Convergence
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Festival review: Supernature
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Australian Dance Theatre to farewell Garry Stewart
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ASO launches ‘virtual concert hall’
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High tension: Arts supremos confront Festival Centre “monopoly”
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North/South: stories of survival in a frozen landscape
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Dance review: The Beginning of Nature
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Art meets science in museum ‘dancing cube’
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Dance company finds new identity and home in historic theatre
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Review: Australian Dance Theatre’s construct
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Unforgettable: dancer’s final work remounted
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Dance review: ADT’s Objekt
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New dance work questions our humanity
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Review: Australian Dance Theatre’s Ignition
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Review: Habitus
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ADT dances with domesticity
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