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2019 Adelaide Festival
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SA hits a high note with 25 Helpmann nominations
Festival review: Grand Finale
Adelaide Festival smashes previous box office record
Festival review: Zizanie
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Festival review: Foehn
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Festival review: Ulster American
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Final week Adelaide Festival and Fringe highlights
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Festival review: The Second Woman
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Festival review: The Second Woman
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Festival review: Carmen
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Festival review: Manus
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Festival review: Natalie Clein & Katya Apekisheva
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Festival review: La Reprise
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Festival review: Two Jews Walk Into a Theatre…
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Rage, Rape and Revolution at Adelaide Writers’ Week
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Festival review: By Heart
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Festival review: A Man of Good Hope
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Shows to get fired up about at 2019 WOMADelaide
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Man with the Iron Neck: a story of trauma and hope
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Festival review: Blaas
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Festival review: The Magic Flute
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Festival review: Out of Chaos …
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Festival review: Two Feet
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The world is what it is because we have dreamt it …
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Festival review: Baba Yaga
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2019 Adelaide Festival set for another box office record
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Thousands expected at free open-air Symphony for Our World
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Tears, joy and discovery: Jo Dyer’s life in books
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What’s next for Adelaide’s festivals?
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From humble beginnings to the WOMADelaide stage
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Ben Quilty: Painting with purpose
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Community meets epic theatre in Counting and Cracking
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The Second Woman’s fifth turn
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‘A festival of discovery’: Adelaide Writers’ Week 2019 program
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Ulster American: a shocking play that asks big questions
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Greer cancels Adelaide Writers’ Week appearance
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Meat, mining and forest bathing on Planet Talks agenda
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Gypsies, DJs & divas: WOMADelaide releases full 2019 program
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From the sublime to the strange: Adelaide Festival’s 2019 line-up
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WOMADelaide reveals first line-up for 2019
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‘Tour de force’ Magic Flute heads to 2019 Adelaide Festival
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