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2018 Adelaide Festival
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Adelaide Festival’s Hamlet vies for seven Helpmann Awards
Cabaret review: Variety Gala
Adelaide Festival’s economic impact continues to grow
Adelaide Festival: Xenos
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Another record year for Adelaide Festival and Fringe
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Festival review: Bennelong
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Festival review: Freeze!
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Festival review: Taha
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Adelaide Fringe and Festival closing weekend picks
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Festival review: Human Requiem
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Festival review: The Triplets of Belleville
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Festival review: Azza
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Bernstein on Broadway … and beyond
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Festival review: Spinifex Gum
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96,000 flock to 2018 WOMADelaide
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Festival review: Compassion – Lior
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Festival review: Lee Fields and The Expressions
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Festival review: Kings of War
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Festival review: FLA.CO.MEN
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Festival review: Can You Hear Colour?
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Ian Scobie’s must-see shows at 2018 WOMADelaide
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Festival review: Us / Them
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Festival review: The Great War
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New director announced for Adelaide Writers’ Week
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Festival review: Anne Sofie von Otter
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Exhibition explores the diversity of Muslim Australian identities
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WOMAD to welcome ‘middle-aged ratbags from Mullum’
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Festival review: 21 – Memories of Growing Up
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Festival review: The Lost and Found Orchestra
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Festival review: Memorial
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Festival review: The Far Side of the Moon
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Festival review: Hamlet
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Adelaide Biennial artists explore myriad worlds
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2018 Adelaide Writers’ Week picks
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Grace Jones, we’re all slaves to your rhythm
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2018 Adelaide Festival ticket sales surge
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Festival review: In the Club
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Black silk and nerves: My first foray into the thespian world
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Havana Meets Kingston brings Caribbean vibes to Botanic Park
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What happened when you were 21?
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Freeze: this rock show is a fine balancing act
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In the Club: ‘My hope is that a lot of people will find it challenging’
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Controversial China book to be published on eve of Adelaide Writers’ Week
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Change is in the air at 2018 Adelaide Writers’ Week
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An explosive miniature recreation of The Great War
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Seven great summer reads from Laura Kroetsch
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All aboard the Palais for a colourful long lunch
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Peter Greste, Tim Flannery lead Womad talks program
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