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Archive
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The shape of success
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Book Club reading guide: Iep Jāltok
Archive
Adelaide Festival review: There Will Come Soft Rain
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Adelaide Festival review: Marrow
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Fringe review: Someday We’ll Find It
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Adelaide Festival review: Angélique Kidjo
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Poem: Little Button Quail
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Fringe review: A Body at Work
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Fringe review: Cry Baby
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There’s movement at the station … as Sigrid and Tom hit the big screen in concert
Archive
WOMADelaide 2024 marked by heat and messages of peace
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Strap yourself in – it’s gonna be a wild ride
Archive
Fringe review: Reuben Kaye’s APOCALIPSTIK
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Adelaide Festival review: Qui a tué mon père (Who killed my father)
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Seeing is believing when it comes to this gravity-defying dance with danger
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Neoterica celebrates the collective imagination
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Fringe review: Dirty Energy
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Streaming picks: from chemical attraction to tensions at the mosque
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Stories from the South: Iep Jāltok
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Adelaide Festival review: I Hide in Bathrooms
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Adelaide Festival review: The Threepenny Opera
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Fringe review: Station J – An M16 Comedy
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Fringe review: Jamie MacDowell and Tom Thum
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Perfect match! Trent Dalton’s Love Stories to be staged at Brisbane Festival
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The elusive state of composing ‘art music’ of note in Australia
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Fringe review: High Pony
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Fringe review: High Pony
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Fringe review: Swoon
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Fringe review: Whore’s Eye View
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The last laugh: The unforgettable and irreplaceable Barry Humphries
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Adelaide Festival review: I’ll Be Your Mirror
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Adelaide Festival review: Marina Abramović Institute – Takeover
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Stobie Pole Project showcases the power of public art
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Fringe review: Murder Village
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Oh Miriam! The extraordinary Margolyes is at it again!
Archive
South Australia wants a creative future – but we’re going about it the wrong way
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Literary ‘grandes dames’ hold Adelaide readers in thrall
Archive
Adelaide Festival review: Grand Theft Theatre
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Fringe review: Sh!t-faced Shakespeare – Macbeth
Archive
Adelaide Festival review: The Nightingale and Other Fables
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Adelaide Festival review: Guuranda
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Adelaide Festival review: Private View
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Eight must-see gems at WOMADelaide
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Smoke and Marrow: Daniel Riley looks to the future
Archive
A love letter to the hospo industry’s ‘dirty energy’
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Adelaide Biennial offers a place to discover your ‘inner sanctum’
Archive
Adelaide Festival review: Goodbye, Lindita
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Fringe review: Ben Hart – HEX
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