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Archive
Archive
Country muso in crisis: The near fall of Troy
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French connection: film takes director from KI to Cannes
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French connection: film takes director from KI to Cannes
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Review: Coriole Music Festival finds a way home
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The art of protest: Exhibiting Adelaide’s radical past
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Caroline O’Connor gets candid about Candide
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Dire straits: Culture, value and the state of South Australia’s institutions
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Green Room: ‘The longer you look the more Moore you see’
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Chief conductor appointment heralds new chapter for ASO
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Theatre review: Symphonie of the Bicycle is a tour de force
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Poem: Festering
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When our WWI Diggers went on to Russia, with love
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Theatre review: Potted Potter
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A film festival with love… and horror
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Diary of a Book Addict: Humanity in conflict, winning women and ‘magic’ pills
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Green Room: Rueful Ben, Blak Futures, The Art of Dying
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Film review: Golda
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Poem: The fish
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Australian artists earn only $23,200 a year from their art
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Theatre review: Hope is at the heart of Creation Creation
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Music review: ASO’s Heroic
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Music review: The Dandy Warhols
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Marijana Tadic’s Bioluminescence is both bold and beautiful
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Body image takes centre stage in Skinny
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Green room: Magic and mayhem and madness
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Madge & Bibs and the remarkable story of Adelaide’s first high school for girls
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Film review: Macbeth
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Streaming picks: psychological drama, wilderness reality and everyone’s favourite dog
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On high seas: Saltblood is historical fiction with a contemporary core
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Review: Tina – The Tina Turner Musical
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See the light: Illuminate Adelaide fires up for 2024
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Music review: A showcase of Adelaide jazz talent
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Poem: Mother Ganga
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Building trust on the front line: The other side of the law
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The Menopause… and why it can be a laughing matter
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A tissue of truths embedded in women’s lives
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In the Studio – and the tearoom – with Jingwei Bu
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The question of taste: did Jane Austen like music?
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Poem: A Lost Sailor’s Remorse
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Archie Moore’s sublime kith and kin is simultaneously sombre and stirring
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John Waters reignites the harrowing reign of terror of The Woman in Black
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There’s a sting in the tail of these striking Waterhouse works
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‘Now showing’ – celebrating Adelaide’s cinema heyday
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Book review: Shining Like the Sun
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The not-so-odd couple: artworks connect us across place and time
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Film review: Evil Does Not Exist
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Film review: Freud’s Last Session
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Green Room: Unique perspectives and dream opportunities
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